The Fu Genre of Imperial China
The Fu Genre of Imperial China
Studies in the Rhapsodic Imagination
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Recitation and Display
1. The Origins of the Term Fu as a Literary Genre of Recitation, by Su Jui-lung
2. Into the New Realm of Belles-lettres: Intersections of Sevens and Song Verses in Jian’an Poetry, by Hsiang-lin Shih

Lyricism and Form
3. The Assimilation and Dissimilation of Fu and Shi Poetry up to the Tang Dynasty, by Cheng Zhangcan
4. Xu Wei’s Early Modern Rhapsodies: Catalogue and Critique, Lyricism and Logic, by Casey Schoenberger

Philosophy and Dialogue
5. The Metaphysical Rhapsody of the Six Dynasties, by Nicholas Morrow Williams
6. Argumentation and Generic Change in the Mid-Tang Fu: Li Guan’s (766—794) ŸFu on Suffering the Pitiless RainsŒ and the Role of the Shelun Genre, by Robert Neather

Critique and Protest
7. The Hidden Message of Zhang Heng’s ŸContemplating the MysteryŒ, by Y. Edmund Lien
8. A New Discourse of ŸLament for the SouthŒ in the Fu of the Ming—Qing Transition, by Cheng Yu-yu


Nicholas Morrow Williams (red.)

The Fu Genre of Imperial China

Studies in the Rhapsodic Imagination

De onderstaande tekst is niet beschikbaar in het Nederlands en wordt in het Engels weergegeven.
This is the first book in English to examine the fu, one of China's oldest and culturally central literary forms, from its origins up to the late imperial era. Fu poems are highly revealing sources for understanding the culture, society, and politics of their periods. Though no English term even approximates it, "rhapsody" at least suggests the energy and recitative origins of the fu, which is a poetic form of tireless ambition that has been used for exhaustive descriptions of cities and palaces, as well as private reflections and lamentations, but also for carefully modulated political protest and esoteric ruminations on philosophical subtleties. In this volume, eleven essays by prominent scholars treat the fu from four major perspectives: its original use in court recitation; as a poetic genre with distinctive formal features; as a vehicle of philosophical inquiry; and as a major mode of political expression.
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Nicholas Morrow Williams

Nicholas Morrow Williams is Associate Professor in the School of Chinese, University of Hong Kong.